FEILE-FESTA
Spring 2011
Poetry
Ancestors
- R. Baldasty
Beloved Albatross
- D. Bastianutti
From Trã Bãn
- K. Cain
The Current (La Corrente)
- L. Calio
Down with the King
- M. Cirelli
May Mass – 1957
- L. Dolan
America
- G. Fagiani
Persephone’s Devotion to Her Mother
- M. Fazio
Bastardu
- V. Fazio
Christmas
- D. Festa
L’Amour, L’Amour on Summer Afternoons
(L’Amour, L’Amour D’estati Filuvespiri)
- M. Frasca
Sgrìob
- S. Jackson
Sirocco
- W.F. Lantry
Little Swift
- R. León
Since You Asked
- M. Lisella
Dublin 2010
- V. Maher
39 Fifth Avenue
- C. Matos
Sunrise in Sicily
- A. O’Donnell
Watching Monzú at Work
- F. Polizzi
L’incontru (Rendezvous)
- N. Provenzano
Propriu Quannu Sta Scurannu (When the Day Is Almost Over)
- N. Provenzano
Bones (Le Ossa)
- D. Pucciani
Things
- E. Swados
Mount Etna
- G. Syverson
Poet Jack Foley Says, “We’re Not Writing for Eternity
- J. Wells
Lord of Winter
- A. Zanelli
FEILE-FESTA
Spring 2011
Prose
Review of Frank Ingrasciotta’s play, BLOOD TYPE RAGU
- L. Calio
Dinner for Three
- D. De Santis
Notes
- A. Guruianu
Review of Carol Bonomo Albright & Christine Palamidessi
Moore’s anthology, AMERICAN WOMAN, ITALIAN STYLE
- R. Holz
Review of Joanna Clapps Herman’s memoir, THE ANARCHIST
BASTARD, GROWING UP ITALIAN IN AMERICA
- R. Holz
Exiles in the Lost World of Italian Food in America. Review of Anthony
Di Renzo’s BITTER GREENS
- M. Lisella
Reverbs
- A. Morazán
The Bearded Woman of Inis Mor
- D. Schummer
Featured Artists
Andy Kover
Richard Holz
BIOGRAPHIES
Contributors
Notes
Sometimes you need to climb higher to see how it all falls back into the sea. The armless statues naked from the waist, the columns jittery and peeling like dead skin. Sea-blue houses on the Greek coast, the beach growing at your feet while under canopies of grass we sip drinks with matching straws. The easy chairs in the sun are lined up like dominoes and the anchored boats are at half-mast. The sea endless in its calm.
In the next town over the donkeys are being prepared for the next climb. Carrots and all. A jagged cliff of broken windmills waits for the onslaught of photographs, the smiling Don Quixotes not too far from the real thing. The locals shut their mouths because they know hot air rises and falls with each phase of the moon.
When the chill of night descends from the hills it empties the sand, which we didn’t talk about enough these days. The sand at our feet. And now in the dark of a hotel window, the shutters pushed open as far as they could go, it becomes hard to tell where it begins and where it ends. Miles away and beyond us. Where they have other things to worry about, if they wonder at all.
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