FEILE-FESTA
Spring 2006
Poetry
Eritrea My Ithaca
- L. Calio
Escape
- P. Corso
Losing a Country
- M. C. Delea
Inclined
- EF Di Giorgio
A Sicilian in Potter’s Field
- G. Fagiani
a color called family
- J. Farina
The Past
- M. M. Gillan
Don’t Speak
- D. Gioseffi
Sharkia
- G. Hanoch
The Old Blatherskites
- T.S. Kerrigan
Seal Woman’s Lament
- C. Loetscher
Barefoot
- C. Lovin
L'amara Primavera
- Q. Marrone
Understudy
- L. A. Moseman
Brooklyn and America
- F. Polizzi
Death of Brahan Seer
- T. Reevy
For Sean Sexton
- T. Sexton
The City at the Center of the World
- A. Verga
Right Angles
- R. Viscusi
Agrigento
- J. Wells
FEILE-FESTA
Spring 2006
Prose
No Matter How Far
- L. Dolan
Ireland and Sicily: Two Islands
- E. Farinella
Southern Exposure
- M. Lisella
Because She Was
- J. O’Loughlin
Flying
- P. Schoenwaldt
Review of DANCES WITH LUIGI
- T. Zeppetella
FEATURED ARTIST
Melissa Kennedy
BIOGRAPHIES
Contributors
THE PAST The past is a photo album, a collection of still photographspasted on black pages, little silver triangles to hold the pictures in, only these pictures are ones I never took, pictures of us under Zia Rosa's grape arbor, the grown ups sitting around a large oilcloth-covered table, the women at one end, talking, and the men playing briscole , wine in short glasses before them, peaches gleaming in the red wine. We watched from the fringes of the group, the men serious, cigarette smoke rising above their heads, and the women at the other end of the table, whispering together about the other Riverside families, their voices soft and happy in the summer air. The light bulbs strung from the arbor buzzed with insects, and we children, listened to the stories our mother's told to one another, understanding only that they didn't realize how much we heard. Those evenings, the air heavy with the perfume of the huge clusters of purple grapes that grew from the vine, the aroma of corn and tomatoes from the garden, the contained world of the grape arbor where everyone we loved was together and safe, and today, across the distance of forty years, I would go back, take a photograph of those evenings, my father's face jovial, his hooked nose, his clean clear skin, his love of company and politics, and my shy mother, still young, sexy even in her black mourning dress, her hair shining under the light of that dangling bulb, her reserve broken by the company of other women and the stories they told, and my brother, sister, and I listening to their voices and drinking cream soda. I would capture these moments if I could, my mother, father, Zio Gianni, Zia Rosa, Zio Guilliermo, Zia Louisa, all dead now, and the only thing remaining to pass on to my children is this memory that when I, too, die, will have vanished forever, as the world I grew up in has already vanished and not even a photograph to show what once was. |